Tuesday, June 28, 2011

Decorating the Garden






It's been a brutal spring--wet, cold, restraining. My garden is finally in bloom, but having peonies in flower when it's almost July is topsy-turvey crazy. Except for the potatoes in my square foot garden and my potted tomatoes, even my vegetables seem to be intimidated by their weather experience.

Thank God for garden art. Katz and I have enjoyed "decorating" our yard for many years, and each year something new moves in. A local metal/welding artist we've admired for years recently had a sale at prices we could afford and we bought a pair of abstract reindeer with giraffe legs and tiny heads. They make us smile.

When I was a child, my siblings and I had two amazing women in our lives. Auntie Pauline was sweet and quiet and made us fudge and morning buns to beat the band. Auntie Jo had the imagination of a child and the skills of a journeyman carpenter. She made toys and filled a huge walk up attic with her creations--trains you could ride, paper mache animal heads to sit on top your shoulder and transform you into another being, beautiful tin wind up toys, tree stumps made out of old telephone directories . . . the list goes on. Going to their home was like a trip to Disney World for most kids--magical.

They had a small garden, too, and their sense of whimsy carried over there. I like to think that the surprises and whimsy in our garden comes from them. They enjoyed life and loved us, and the joy and abandon they conveyed was a wonderful gift for a child. As things grow and the vista changes day-by-day outside my window, the playful pieces that are woven throughout the garden give it some weight and anchor it, pinning my past and entwining it with the future.

Sunday, June 26, 2011

Travel Fears





Thanks to Dick for commenting on my last posting and sharing his trip stories. One of his remarks did jog my memory when he said he had no interest in traveling outside of the US, including to Mexico.

Katz and I got to spend an extended period of time in the Sierra Madre Mountains in central Mexico in the 1970s, and it was one of the highlights of our lives. We lived in San Miguel de Allende for a winter, arriving by car. We rented an apartment, went to school, and grew to love this friendly little colonial town. We lived down the street from the bull fighting venue, ate the local food, learned to cook what we could buy in the local market, hiked the countryside, and took classes at the local Instituto. There I took my first formal writing courses since college (where a harsh professor had given me the notion that I had no future as a writer) and received an injection of all that was possible from an 80 year old former editor of True Confessions magazine. She loved everything I wrote and opened up my heart again to the sense I'd always had that I could put pen to paper and have some success.

I also got to ride horses under the tutelage of a retired Mexican cavalry officer, and Katz learned to throw pots on a potters wheel. We enjoyed poinsettias that grew 20 feet tall outside our window, slept entwined in each others arms because the old bed we shared shank so badly in the middle, bought fuel for the fireplace from vendors with wood laden donkeys in tow, got to know the locals, and made lots of friends. We dreamed of the days ahead and talked about retiring to San Miguel, or at least bringing our imaginary children back. It was a time of great promise, with our future in front of us.

San Miguel is out of touch these days. Although I hear no news of its decline, it is wounded by all that is scary in the streets of Mexico. I am glad we have our photos and our memories, but with killings in the street and violence a part of everyday life, I haven't the courage to go back. While my concerns are born of real fears, I do wonder: Is my lack of courage partly due to growing old? Did I really have more courage when I was younger, or did I just have no sense of caution?

My sons are getting to the age when Katz and I traveled to Mexico, and they have that same sense of invulnerability that we had. If they wanted to take the same trip their parents took 30 years before, I would be terrified. It is a different world, no doubt, and the thought of all that has changed makes me weep.

Tuesday, June 14, 2011

Travels Past and Future

On our recent visit to Charleston, SC, every local we met wanted to know if it was our first visit to the city (it was), and then without exception they added, "Y'all will be back."

Charleston was lovely. We enjoyed so much about it--the architecture, the history, the food, the people, the accessibility. We won't, however, be going back. Four days was enough for us to get the flavor of the city and see the highlights, and we are "did and done" as someone in my childhood used to say.

That whole "You'll be back" thing made me think about what places in all our travels could lure me back. Here's at least a partial list:

Zion, Arches, and Yosemite National Parks--especially Yosemite. I'd go there any day, any season, any weather condition. I'd go if I had to stay in the crowded, loud tents of Curry Village, even though the last time I did that I slept with my eyes open due to the noise of a thousand fellow campers and the thoughts of a thin sheet of canvas separating my children (and me!) from hungry bears padding through the campground.

Custer State Park--Love them buffalo! (No, really: The buffalo are awesome!)

The Badlands--Surreal is not a common feeling to experience and not at all unpleasant. The Badlands are surreal.

Northern Wales--A fairyland.

NYC--It's exciting and ever-evolving, I love theatre, and Central Park requires constant exploration. Truth be told, I'd go back anytime because we always have a free place to stay and that free place to stay comes with my beautiful sister Kathy and her much adored (by me!) husband, G. It doesn't hurt that her neighbor is Ed Doctorow (E.L. to you in the know) and that the their apartment is beautiful, close to everything Manhattan, and comes with the requisite doorman. I like having a doorman in my life.

New Orleans--The joint was jumping!

There's a couple of places I'd love to go back to but only with conditions:

London--If money was no object. Dang, that city is pricey.

Disney World--It's not as fresh as it was the first time we went, but someday I'd love to go back there with grand kids in hand. They would need to be 6 or 7 years old and have been raised by parents that expected them to be well behaved and adore their Nana (Noni? Grandma? MaMa? Lucky this grandparent thing is not just around the corner. I need time to decide what moniker fits me best.)

I know there are more places I'd go again, but it's time to post and get to work. How about you, faithful readers? Where would you travel to again--or not--and why. Post your comments and let's share!

Sunday, May 22, 2011

Old Wounds



This picture was taken in front of the St. Peter's Basilica in Rome when I was 20. My friend Sharon and I were doing the backpacking-in-Europe thing with friends and she couldn't get in to the Sistine Chapel because she was wearing a mini skirt. I was wearing a mini skirt, too, but had the good fortune to have also worn a matching pair of pants (okay, so it was a top not a miniskirt, but it was the 70s and I was young and had good legs and could get away with wearing indecent clothing at the time.) The photo shows Sharon with her mini dress and my pants as we took turns seeing Michelangelo's masterpiece.

Within 24 hours of that picture being taken, I was groped on a crowded Rome street in broad daylight. It happened in a flash and as I stood there shocked the groper faded into the flow of people around me. I burst in to tears and as my friends comforted me a little old Italian lady stopped to ask what was wrong. She could have been anywhere from 50 to 80; short, she had a figure that only eating a ton of pasta can form--a typical Italian matriarch if there ever was one. I don't know how she understood what my friends told her but she did, and I watched anger darken her face. Her voice rose and she turned to the mass of humanity walking by, jabbed her finger in the air and launched into a verbal tirade , scolding them one and all for what had happened to me.

I still remember how much pain the assault caused. Absent any wound, bleeding or aggrieved nerve endings, it was surprising how raw the experience was. This woman who stopped soon melted into the crowd, too, as my friends carried me off, but I'll never forget how grateful I was to her for showing that she, too, was assaulted by what had happened to me. No matter that what happened was part of the Italian male culture, not only at that time, but to this day. She didn't once make me feel like I'd "asked for it" by the way I was dressed. She was outraged on my behalf. I felt taken care of by her defense and it helped me recover quickly from something that would otherwise go unpunished.

The press coverage of the assault by the head of International Monetary Fund on a maid last week in NYC reminded me of what happened in Rome. Reading about how rampant this sort of sexual predatory behavior is in France, how accepted it is in the European business environment, is truly shocking. Women, it seems, feel voiceless after such assaults. Many women, it appears, accept it as the cost of doing business; some, like Strauss-Kahn's wife apparently, seem to view it is as acceptable behavior.

So even though I can't say for sure what that very caring, angry woman said all those years ago, I'm gonna take a stab at paraphrasing her words: Shame on you, Dominique Straus-Kahn. Look what you've done. Look who you've hurt. You have money and power, yes, but you had no right. You had no right.

Sunday, May 15, 2011

Language of the South

Just back from Charleston, S.C. and there was much to love about it. It was green, historic, fragrant, charming, and most of all during this cold, cold Wisconsin spring, it was warm.

Still, true to form, what I loved best was the language of the South. For instance, the words "civil war" are rarely if ever spoken by Charlestonians; instead those destructive years are known as "the War of Northern Aggression" or the less specific, more genteel "The Great Unpleasantness".

And then there's the singular, possessive and plural of the pronoun "you." They are, in order, "you all", "you all's", and "all you all". What fun!

So, go south when you get a chance and smell the jasmine, feel the warm sun beating down on you, enjoy fried green tomatoes, sweet tea and tupello honey, but at pain of a trip-half-done experience, don't forget to listen or you'll miss all the fun!

PS: Thanks for sticking with It Was a Cold and Stormy Night when I haven't posted anything for awhile. My excuse is mostly time, but I have written two posts that have not uploaded successfully. Let's see if we all can't get back on track with this post. I appreciate your support . . .

Saturday, May 7, 2011

Reality Check

NOTE: Unsuccessful at posting this at the time it was written. Finally posted on 5/17/11.

Water for Elephants is now a movie staring Reese Witherspoon, and I caught the star talking about it on TV the other day. The film is set in a circus and Witherspoon is the beautiful woman who works with the elephant and the horses. She talked about how hard she trained with the animals and how, despite her fears, she actually did much of the handling and riding that was filmed. She spoke about Roman riding, where the circus performer has one foot on one beautiful galloping white horse and the other on another beautiful galloping white horse--very tricky when you think about it. And she did it, she actually did it. Very impressive.

And then, she added, the scene got left on the cutting room floor.

"I guess it wasn't very attractive," she explained.

I thought about that and conceded, yeah, of course, how beautiful can you look when you're trying to keep your balance on 2,000 pounds of fast rocking horseflesh running in tight circles? I could see it in my mind and it really wasn't very attractive.

The thought took me back to my youth.

I've always had a vivid imagination. I was a kid who used to think in the third person. Walking to the drug store as a 10 year old, my thoughts went something like: "She put one foot in front of another, avoiding the cracks in the sidewalk, avoiding the opportunity to bring bad luck on her mother even though she was mad at her." This kind of thinking made me realize I would be a writer someday. I found it very reassuring.

My imagination was only enhanced by the hormones that arrived with my teen years. I was boy crazy to the max and much of my imagining dealt with romance. I imagined being married, waking each morning in a beautiful silk nightgown, my hair flowing over the pillow, my arms gracefully akimbo on top of crisply folded sheets and fluffy blankets. I never tossed and turned, my hair never flattened, my nightgown never crept up, my face was flawlessly made up, my breath sweet as freshly fallen rain. I was a vision.

Well, I got the married part, but unfortunately poor Katz wakes up day after day beside a blurry eyed, snarly haired, blotchy looking wife with breath that smells like unwashed socks.

No vision for him.

Hearing someone as adorable as Reese Witherspoon talk about being visually compromised was reassuring. And it gave me hope to know that somewhere a writer, perhaps not too unlike me, imagined something he felt would be captivatingly beautiful, only to see if fall flat. Yes, it's nice to know reality touches those very successful people in the world, that they too find it can be rude and unkind.

Even for the beautiful people, reality's edges are sharp; there are no shadows to hide in. But, truth be told, reality is the hand we are dealt and fighting it is an exercise in futility. Learning to embrace life warts and all isn't easy but if you can learn to do it, it will prove very freeing.

Still, there's part of me that wishes that my body hadn't shape-shifted over the years, or that I could finish my book in the not too distant future, or that Katz could leave his difficult job and retire today. Part of me will always wish that every day was a perfect hair day or that a beautiful circus performer could stand on the back of galloping horses and look like a goddess on air.

Wednesday, March 23, 2011

Unselfish Certainty

I love my cousin, Debbie. She's a distant cousin who we didn't get to know until about 20 years ago, but she's a part of the family now.

Debbie is whip-smart, funny and down to earth. We played a question/answer game the other night when the family got together for a mid-winter gathering. The thought provoking questions made most of us pause and ponder to consider our answers. Debbie spit out her answers like rapid-fire bullets.

What would you try if you had no fear? Drugs.

Who would you trade places with for one month? Hilary Clinton.

If you could have front row seats to any concert who would you like to see? Elvis

Would you stop eating all junk food to live 5 years longer? No!

There are some smart people in my immediate family. Eight of the nine brothers and sisters have advanced degrees, and there is a doctor, a couple of lawyers, a couple of writers, an artist, and a few successful business folks. There's not a slouch in the bunch, but none of us can hold a candle to Debbie in the brains department. Being with her is stimulating and always entertaining; add the size of her heart into the equation and you've got a formidable force.

Debbie is about to launch her youngest child, who heads off to college in the fall. Yet her parenting days are not over. In early summer, she will take over raising three of her sister's children, ages 8. 10, and 12. These are children who have been brought up so differently than she would have brought them up--no formal schooling, little in the way of resources, fundamentalist parents--that it will be an adjustment for everyone. Her sister needs her help right now, and while Debbie is mourning the loss of her empty nest opportunity, she hasn't a selfish bone in her body. Of course these children will be welcome in her home. Of course she will love them and keep them safe and do her best for them. She's quite sure we would all do the same,she says.

She is probably right, but it is the certainty that she packs into her words that makes me believe it to be true. It is that certainty that she brings when she answers a question or shares an opinion, that she applied to her life when she went to medical school while raising two little girls with her husband, Jeff. Part of her success as a physician, wife and mother is due to her clear minded thinking, to her ability to see her way forward.

And so, with certainty, she is the one stepping up, rearranging her life and opening her heart and home for three more children.

I love my cousin Debbie. . .

Wednesday, March 9, 2011

The Perfect Word

I woke up whimpering. My body is healing (I hope!) slowly, but I've never had such long lasting pain before and I'm surprised at how challenged I am at managing it.

I'm at my best when I'm up and moving; sitting for even short periods of time causes painful stiffening and night times are difficult.

So why am I so pleased?

I love the word "whimper!" It so perfectly describes what comes out of my mouth throughout the night that the writer in me found an overpowering desire to share.

No need to feel bad about my situation. This is a "ta-da" moment for me; I get to indulge in a little catharsis by complaining to my faithful readers, and the writer in me gets to indulge in a little wordplay.

As always, things could be worse . . .

Sunday, March 6, 2011

The Play Closes and Life Goes On


The end of a show is always bittersweet. A lot of effort, a lot of time, a ton of emotion goes into any play--the writing, producing, directing, collaborating, and performing takes months. There are the practical details--is the show too long or too short, can this actor or actress play a certain part, can you stage the play in the available space, how much is too much to charge for tickets, where are we going to get those tuxedos, when is your cast going to turn in their bios for the program, when are they going to finally memorize those lines . . . it goes on and on.

There are the creative details--have I developed the characters sufficiently, are they varied enough; can they be angry, or off-center, or silly, or unintelligent and still come off as approachable during the improvisational parts of the show.My plays are comedies and I have a good ear for dialogue, but after you've rehearsed a show for a month or more, after you've heard those lines done a million times with no audience to react, the doubts creep in. Who am I fooling? Will that line really get a laugh?

Having done this sort of thing for 25 years, having worked with many of my actors for almost that long, picking a cast is often the easiest part--and the hardest. I write parts with specific people in mind, I play to their strengths, I try my best to take care of them. Winging It was a recycled play, written a dozen years ago for a corporate event; modifying it to include my regulars was a challenge. I found spots for 4 regulars, 2 actors I'd worked with once before, and 2 new ones who answered a casting call. In the end, they came together beautifully. The chemistry I hoped would develop between the bride and groom--and there are no guarantees when it comes to chemistry--showed up beautifully about two weeks before opening night.

You hang your hopes on your cast; your work is in their hands. A play is a symbiotic relationship between the cast, the playwright, the director and the audience, but in the end, it's the cast that goes out there night after night and needs to bring it home. I always encourage them to adjust their lines for comfort, to give me their feedback. They bring fresh insight to something I've labored over for months and I always end up with some great new lines or a wonderful twist on one of my own creations. I always feel I give my cast some great material to work with; they pay me back every time!

Defined, the noun "cast" is a group of performers, brought together to put on a show. Of course, as with many words in the English language, other meanings exist, and there is one other meaning that applies nicely to those hard working, funny, talented entertainers who took part in Winging It. "Cast" as a verb, also means to radiate. And they did . . .

So, the hard part is over and we go on with our ordinary, non-performing, not-so-creative lives that exist when we are not in play mode. Katz (who played Enrique Schlimovitz--the worst wedding planner ever) and I are glad to have our lives back, but then, there is the bittersweet part: I miss Isabel and Philip de Vigny,the Reverend Joshia, Aunt Tootie, and the Kozinsky family--Bea, Max, Celia and Fitzwallace, and, of course, the actors who played them. Still, I'm catching my breath, regathering my creative juices, and looking forward to "casting" my net over them again in years to come.

Sunday, February 27, 2011

Winging It in Pictures

It was great fun and I am exhausted. Winging It, my wedding-gone-awry story was brought to life by an outstanding cast. Despite being packed in elbow-to-elbow, our audiences laughed long and hard and loved the story, the players, and the beauty of seeing a show in a wonderfully restored historic home. Today I share the pictures; stay tuned for the insiders look at the effort and heart that everyone puts into pulling together an original show and making it a success. Part II to follow!